Passepartout
Passepartout
We have many different colored boxes for you to choose from, exclusively in acid-free quality, so that you can enjoy your picture for a long time.
A passe-partout is not just a simple paper frame, but an important design element that ensures the necessary distance from the glass and directs the viewer's gaze to the work of art. Only the passe-partout helps the picture to achieve its overall effect. But passe-partouts have to be able to do more than just look good. The quality of the cardboard used has a decisive influence on the durability of a picture. Besides the backing board, it is the only material that comes into direct contact with the work to be framed.
We only use acid-free museum passe-partouts that guarantee aging resistance, color fastness and lightfastness.
Multiple cut-outs, colored bevel cuts, double passe-partouts: there are hardly any limits to the creative possibilities.
If no passe-partout is desired, the alternative is to use spacers that are hidden in the fold of the frame.
The back wall must also be made of acid-free material. The image is always mounted with strips of acid-free paper and reversible adhesives. In the end, everything is glued dust-tight and your picture is optimally protected.
Photographs, prints, old certificates and documents, drawings and watercolors: paper is one of the most commonly used materials in art. Because it consists primarily of plant fibers, paper is subject to natural changes. It can yellow over time, become brittle or mold under the influence of moisture. All works on paper that are close to your heart and that you bring to us are framed from a conservation point of view in order to prevent this aging process. The first step is an appropriate selection of materials for the conservational framing.
